Valley roads
Instead of a grid, Mashiko's main roads follow the gaps between the hills, and buildings line them in long, uneven strips that branch into the countryside.
Ata mapa faigafua · Japan
36.4667° N / 140.1000° E
A loose pottery town among low hills and rice fields, its streets following kiln slopes and valley roads





Kolo e tahi, lanu e nima
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Ngaahi pikiseli moʻoni · faila tā 24 × 36″Mahino lelei ki te pulūti
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ʻI Te Puipui



Te mapa
Mashiko lies in the southeast of Tochigi Prefecture, in countryside of low wooded hills and flat rice paddies. Seen from above, it does not have a central grid. Its roads follow the valleys, and houses and workshops cluster along them, with farmland filling the spaces between and forested slopes closing in from the edges.
The town is known across Japan for Mashiko ware, a sturdy folk pottery. In the twentieth century the potter Shoji Hamada settled here and helped make Mashiko a centre of the mingei folk-craft movement. Many kilns and studios are still in use, and the pottery fairs held in spring and autumn draw large crowds.
On paper, the kiln sites and studios are hard to tell apart from ordinary houses, but the way the settlement spreads along the hillsides says a lot about the craft. Climbing kilns need slopes, and the potters followed them. A Mashiko map poster records the landscape the craft grew from, in the same modest tone as the pottery.
Instead of a grid, Mashiko's main roads follow the gaps between the hills, and buildings line them in long, uneven strips that branch into the countryside.
Flat rice fields fill the valley floors in small rectangular plots, giving the lower ground a fine, regular texture that contrasts with the wooded slopes.
Studios and workshops are spread along the hill edges where the ground rises, the kind of slope traditionally needed for the town's climbing kilns.
Faʻu ke ʻau ʻa ʻau
Tuku he ʻaho, he hingoa peʻe he kiʻi palalau ʻa ʻau, fetogi te faʻahiga, te lahi peʻe te hake.
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Koteā ko Mashiko
Collectors of Mashiko ware and visitors to the pottery fairs often want a reminder of the place the pieces came from. A map of its hills and fields sits naturally beside a shelf of ceramics.
Add a title and subtitle, such as the year of your visit or the name of a studio, and adjust the coordinates line. Choose from five styles: Classic black & white, Noir, Paper, Blueprint and Sand. Paper and Sand suit the earthy subject.
Fakatau te posita Mashiko| Lahi ʻo te pulūti | Mahino | Faile |
|---|---|---|
| 30 × 40 cm11.8 × 15.7″ | 3,543 × 4,724 px | PNG · PDF |
| 29.7 × 42 cm (A3)11.7 × 16.5″ | 3,508 × 4,961 px | PNG · PDF |
| 42 × 59.4 cm (A2)16.5 × 23.4″ | 4,961 × 7,016 px | PNG · PDF |
| 45.7 × 61 cm18 × 24″ | 5,400 × 7,200 px | PNG · PDF |
| 50 × 70 cm19.7 × 27.6″ | 5,906 × 8,268 px | PNG · PDF |
| 61 × 91.4 cm24 × 36″ | 7,200 × 10,800 px | PNG · PDF |
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Fili he sitaili ʻi te tuʻa ʻo te pasina, pea fili leva te Posita Tā — he lahi pea, kapau ʻe ke loto ai, he fakakātoa — peʻe ko te ʻu Faila HD Fakakomipiuta. ʻE tahi pē te sitepu ʻo te totogi, pea ʻe fakafou fakavavevave pē tau pasina fakatau mai te taimi ʻe fai ai te totogi.
ʻE tā ʻi he pepa lelei ʻaupito 200 gsm matte, ʻi he tahi ʻo te ono lahi, mai te 30 × 40 cm ki te 24 × 36″. ʻE kamata te ʻu posita tā ʻi te $39, kātoa mo te ʻave.
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Ko te fakahoko e mole totogi ki te ʼu fenua e 60+. Ko te pōsita taki taha ʼe tā e te tahi ʼo ʼemau ʼu kaufakalogo tā ʼe ofi mai, ʼi te ʼu fenua e 30+, pea ʼe hoko mai ʼi te ʼu ʼaho gaue e 3–7. ʼE feala hau ke ke vakaʼi te tuʼunga mo te tracking ʼi Oku Fakamaʼu. ʼE ʼi ai te ʼu fenua ʼe 2–5 te ʼu vaiaho, pea ʼi te ʼu fenua ʼaē ʼe heʼeki tou fakahoko ki ai, ʼe fakahā e te saite ʼi muʼa ʼo tau totogi.
Fekau mai he ʻata ʻi loto ʻi te ʻaho e 14 talu mai te aʻu mai, pea mātou toe tā noa peʻe toe totogi atu.
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Mo te $9 ʻe ke maʻu ai te ʻu faila PNG 300 DPI mo PDF kua teu ke tā, ʻi te ono lahi kātoa, ʻe mole ʻi ai he fakaʻilonga, ke ke tā ai ʻi soʻo he potu. Kei tā fakafiafia? Download muʻa he faʻata mokā mo he fakaʻilonga, ʻe fua noa.